To get to know Oli a little better, we thought we’d break the ice with a few questions.
- What’s interesting you in design for the web right now?
- I would say modern typography, CSS Grid, and responsive image techniques. How you can create designs that are more fluid and expand a bit further than just being blocks of information on a page. Modern interaction and animation techniques too, although I’ve not had much time to venture down that wormhole just yet.
- Who or what are your design influences?
- The main places for influences these days are mostly websites and newsfeeds or blog posts on new design techniques and tools. Also galleries, friends’ artwork or even a random book you come across. I have never been too strict on following just one direction or style or only looking at certain magazines and publications. I generally prefer more of an organic fumble around.
- You’ve just been in China for the last year or so – how did design for the web look there?
- Almost everyone in China uses Wechat as it’s connected to your bank account and your whole world goes through it, including shopping and paying your bills. So a lot of web design is made to work with Wechat in some way and almost everything is mobile first. My clients there focused more on Visual Identity and logo/illustration work and then used Wechat´s tools to integrate their designs into Wechat. There is a lot of amazing Chinese design and I quite liked working with Chinese typography. Definitely a bit of a challenge and a big help having a Chinese wife who tells me what is good or bad. Something I consider ”good design” – font sizes, line-height etc – might have totally different rules and might seem totally wrong to Chinese people for all sorts of cultural and historical reasons I don’t know about.
- Like a few others at Greenhill, you make music. What are you into?
- I have my roots in hiphop and experimental electronica so I always have a soft spot for those elements. House, techno and old school rave music has also been a big part of my life so I tend to follow what’s going on in those circles. Jazz, classical music, experimental African music often gets on the home stereo these days.
- Has album artwork had an influence on your tastes? Which are your favourites?
- I started my design work in a music studio in Iceland, actually. I worked there for about 3 years doing album artwork and vinyl record labels alongside producing music there as well. I’d say it has definitely had a big influence as it’s a very open platform. A lot of ideas you can make happen that would be very difficult for a big client or when there is a lot of money involved. I have too many favourites but I would say I gravitate towards labels/artists that have a consistent look and feel like Kraftwerk, Björk, GAS etc.
- Are you a ”headphones on” kind of guy or a talker? D’you like to chat about work regularly or be left in peace?
- I think a bit of both; sometimes it’s good to zone out a bit and get lost in what you’re doing. Sometimes you get unexpected results that way. But I have always liked working in teams as well and in order to make a team work you need very good communication. So a bit of both I would say.